was very afraid of quite a lot: I was afraid of the world, I was afraid to speak, and I was a very, very modest guy, and music was the way to speak, that’s all. I could just keep a journal, compose poetry, write everything I could think of, and then sit down, play a couple of chords, put everything together and get myself. It’s me! So I tell the world about myself when I can not say in words. So the music was a voice that I didn’t have.
At my school there was one guy from a jazz band who was selling his guitar. He seems to have had a Gibson SG ’69 with a tremolo and he wanted to sell it. He asked me: “Do you want?”, And I told him: “Yes, how much will you take?”, To which he replied: “200 bucks!”. I begged my mother, did everything I could and finally, she gave the go-ahead and bought me my first real guitar. Continue reading
Grindcore (Grindcore) – the hardest musical (?!) Direction of all ever created by mankind. The first grind album was released by perverts from Napalm Death (England), mixing in their music the energy of the most brutal representatives of hardcore (Cryptic Slaughter, for example) with the severity and aggression of Death metal and maximizing this mixture. They got a bunch of ultra-heavy, ultra-evil and ultra-short (from a few seconds to 2-3 minutes!) Compositions. Such a miracle simply could not go unnoticed in the ranks of misanthropic citizens, and after the “napalms” from the British cellars a huge number of new teams emerged playing grind, including Carcass, who became famous as the most bloodthirsty group on planet Earth. Jazz musician John Zorn even managed to play Grindcore on the saxophone. Continue reading